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Berten D'Hollander -Nina Siniakova Duo

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The Story

Story

By pure chance, Belgian flutist Berten D’Hollander and Belarusian-American composer-pianist Nina Siniakova met in March 2023, when Nina was asked to be the pianist for Berten’s chamber music recital in New Jersey. What was meant to be a simple one-time collaboration instantly sparked into an adventurous partnership full of energy and creativity. Inspired by Berten’s extraordinary artistry, Nina soon began writing new works for him, from her flute concerto Landscapes of Sorrow and Grace to As We Were Gazing at the Stars for flute, piano, and chamber orchestra, plus a growing collection of arrangements and original pieces for flute and piano.

Since then, the two have built a partnership that is as lively as it is unique — blending Berten’s dazzling performances with Nina’s imagination at the piano and composer’s desk. They bring together wide international experience, charisma, sparkling humor, and a readiness for any kind of improvisation — whether in music or in conversation. Their programs stretch from classical to jazz to free improvisation, always infused with a sense of discovery and play, yet grounded in the highest artistic standards. Both artists deeply value excellence in classical and contemporary music, and this commitment shapes every performance they share on the international stage.

In just a short time, the duo has appeared on stages across the U.S., and in April 2025 they were in residence at Nazareth University in Rochester, invited by Professor Octavio Vasques. That same year, they were awarded a grant from New York Women Composers, an organization dedicated to supporting and presenting the works of its members. This recognition has given their duo further opportunities to perform Nina’s original music of the highest caliber and bring it to new audiences. Their fresh energy has caught attention, too: they’ve been featured in The Flute View .

What began as a chance encounter has blossomed into a truly dynamic duo, where performance and composition fuse in a uniquely collaborative voice, and every program offers a fresh journey through sound, imagination, and artistry.

MEDIA

Nina Siniakova

 

"Let's Go To Rio!" for flute and piano. From the suite "Three Wishes"

Media

Nina Siniakova

 

"Weekend in Paris" for flute and piano. From the suite "Three Wishes"

J.S. Bach, arr. Nina Siniakova

 

"Bist du bei mir" for flute and piano. 

PROGRAMS
season 2026-2027

Programs

American Landscapes
an exploration of a diverse musical languages and traditions, the program features works by Lukas Foss, George Gershwin, The Great American Songbook, spirituals, plus originals by Nina Siniakova

Salon and Cinema
an elegant program discovering a connection between intimate settings of the chamber music in the 19th century to the romance of the works of great masters of movie music. 
Works by Robert Schumann, Francis Poulenc, John Williams, Michel Legran, and compositions by Nina Siniakova

From Bach to Jazz

presenting works by great Baroque masters by Bach and Teleman, arrangements of spirituals and classicla tunes with a jazz twist plus originals by Nina Siniakova

Tchaikovsky with a Twist

a unique combination of classical Russian miniatures by Tchaikovsky, Glinka, Arensky put together with a zesty jazz arrangements of classical music favorites by Gluck, Schumann, and Tchaikovsky himself. 

Christmas in Brussels

a delightful program of classical festive tunes by Bach, Tchaikovsky, and other greats are featured alongside with traditional European and American Christmas songs and  originals by Nina Siniakova.

PRESS

Press

The Flute View - August 2023

Berten D'Hollander and Nina Siniakova Interview about their new release, "Three Wishes"​

1. Where did you get your Inspiration?

 


NS: Really in each other I think. Berten has an astounding, unique personality. In combination with his unbelievable humor and phenomenal musicality it is hard not to be influenced! His energy is contagious, I think he claims mine to be the same way.

BDH: Absolutely. Nina and I met in March 2023, about a half a year ago. I was invited to perform and give masterclasses in Atlantic City. It was clear right away, from the moment of Nina’s appearance, that she was more than just a collaborative pianist, but rather an exceptionally talented musician.

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